Harmor's envelopes play a significant role in its ability to produce sounds of stunning complexity. Setting short times garners sounds similar to synth legend Don Buchla's low-pass gate, making it easy to get your bongo on, if you are so inclined. The latter deserves special mention: it functions as a fast-decay low-pass filter envelope to simulate plucked strings. The filters are joined by Phaser and Pluck sections. Since the perception of an additive tone relies somuch on the fundamental, there is a Prot(ection) slider in the Timbre section that ensures the lowest frequencies squeak through unharmed. You canchoose from the usual filter mode suspects, with the addition ofCustom Shapes these are defined inthe ENV(elope) display and are drawn in just like the additive waves. Harmor sports a dual-filter configuration thatincludes allof the normal goodies. Both have the effect of thickening the sound in some way, or creating dissonant timbres.Īnother thickener comes in the form of a sub-harmonic generator, which is used to add bass and depth. The former simply shifts the positions of the partials, making them inharmonic while the latter replicates and transposes harmonics. Examples of these new paradigms include the Prism and Harmonizer sections. Harmor includes many ways to tweak your waveform, and some of them might be unfamiliar.
#HARMOR VST EQ PATCH#
It should be noted that each patch can consist of two complete and individual patches that are stacked or dynamically mixed. Up to 520 partials may be present in any waveform. You can draw directly in this window and import single-cycle waves, audio files or images to create your own waveforms. However, those waveforms are generated by additive means, and displayed in the Env window. There are, for instance, selectable oscillator waveforms - a pair per 'Timbre' - that can be mixed as you see fit. Even typically subtractive elements like the filter are achieved via additive technology. The developer positions Harmor as an 'additive/subtractive' synthesiser, but there's no doubt that the emphasis is on the former. Format-wise, it's aVSTi and FL Studio plug-in. The algorithm has been carefully tuned by ear to provide musical results that are hard to unhear.With its charcoal and plum shadings, its look is also unmistakably Image-Line.
#HARMOR VST EQ FREE#
The process is free from pre-ring, crossovers, and summing artefacts commonly found in dynamic equalisers and multiband compressors. It combines novel heuristics for finding resonances with advanced filtering techniques to minimise degradation of the signal quality. Soothe2 is a result of years of research and development.
Soothe2 works on the entire hearing range. The new soft mode is a more transparent and easy to use approach for most cases, while the hard mode lets you hone in on extreme resonances and energy build-ups.
The algorithm has been redesigned from the ground up to improve sound quality, performance and flexibility while retaining its ease-of-use. Soothe2 is our second take on the concept of resonance removal. It works wonders on anything from sound design and post-production to the most demanding mastering applications. It is equally at home on individual tracks and on busses. Soothe2 saves time and effort in audio work.
Soften overly bright guitar and piano recordings.Clear muddiness, boominess, and proximity effect.Treat uneven tonal balance from suboptimal recordings.Transparently manage sibilance in vocals and dialog.Remove harshness from close mic’d sound sources.Soothe2 can be used to reduce harshness, sibilance and mud from the sound source, and excels in fixing a range of problems. This preserves the timbre of the original sound source and results in transparent treatment with minimal artefacts. The reduction kicks in only when and where needed without affecting the nearby frequency areas. This results in a smoother, more balanced sound and saves you from having to notch out the frequencies by hand. It identifies problematic resonances on the fly and applies matching reduction automatically. Soothe2 is a dynamic resonance suppressor.
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